I hope I can point to this collection without sounding like a shill for the nostalgia-peddling, over-charging swindlers who run Pottery Barn. Their latest evil plan involves teaming up with the American Folk Art Museum and the Shelburne Museum to make a couple of gorgeous reproductions available to the mass market under the title of The Museum Collection. Curse you, Pottery Barn. It is so hard to criticize you when I am drooling over your merchandise.
I have gone on record as a critic of the American Folk Art Museum — I think that their collection, which includes both 18th-century needlework and the paintings of Henry Darger, is incoherent* — but they do have some amazing quilts. The exquisite Sunburst Quilt that is being reproduced by Pottery Barn was made by Rebecca Scattergood Savery of Philadelphia sometime in the 1830s or 1840s. Pottery Barn's catalog description does not attribute the quilt to its quilter, preferring the passive voice — "The original was crafted near Philadelphia around 1835 . . ." — even though the quilt's authorship is fairly well documented.
The Museum Collection also includes two reproductions of hooked rugs from the Shelburne Museum. While I do not find these rugs nearly as appealing as the sunburst quilt, I have enjoyed reading their catalog descriptions. When the catalog says that "hooked rugs are believed to be indigenous to America," I have visions of little woolen squares scampering through the forests or growing on beach plum bushes.
* I don't have a problem with Henry Darger — I just think that featuring ordinary handicrafts of the 18th-century alongside 20th-century "outsider art" tends to encourage a the modern viewer to perceive the 18th-century objects as idiosyncratic, rather than as the mainstream productions of an historical era.
Showing posts with label quilt. Show all posts
Showing posts with label quilt. Show all posts
Saturday, August 7, 2010
Friday, February 5, 2010
Cathedral Window Quilt
I am a novice quilter. Really, I just like to buy pretty fabric and it sometimes (rarely) makes its way into a project.
My least favorite part of quilting is the planning. I'm terrible at the math/measuring/cutting part and can never get the geometric shapes to line up the way they should. In short, I am not a precision quilter.
That's why the Cathedral Windows pattern is perfect for me. The quilt grows under your fingers and you can stop whenever you feel like it. It's also pretty forgiving of my inability to get blocks to line up exactly. Even though I use the same template to cut out all the pieces, they never seem to be exactly the same size. This pattern allows me to fudge it a bit. One final perk: I can use all the scraps I've been saving for years.
If you are interested in making your own Cathedral Window Quilt, follow this excellent tutorial via Hyena in Petticoats. It has good step-by-step pictures for all you visual learners out there.
My least favorite part of quilting is the planning. I'm terrible at the math/measuring/cutting part and can never get the geometric shapes to line up the way they should. In short, I am not a precision quilter.
That's why the Cathedral Windows pattern is perfect for me. The quilt grows under your fingers and you can stop whenever you feel like it. It's also pretty forgiving of my inability to get blocks to line up exactly. Even though I use the same template to cut out all the pieces, they never seem to be exactly the same size. This pattern allows me to fudge it a bit. One final perk: I can use all the scraps I've been saving for years.
If you are interested in making your own Cathedral Window Quilt, follow this excellent tutorial via Hyena in Petticoats. It has good step-by-step pictures for all you visual learners out there.
Subscribe to:
Posts (Atom)


