stint as an historical interpreter at an 18th-century farm in the most recent edition of "Human Guinea Pig."
In general, reenactors, living historians, and first-person interpreters are portrayed as crazy people, so it's nice to read a sympathetic, even celebratory, depiction. While I haven't done much active reenacting lately, I grew up in a reenacting family that eventually went over toward the "living history" side of the spectrum. Like Ms. Yoffe, I find stays rather comforting.
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